Nobody can teach writing, is a cumulative activity, whose perfection is achieved on the basis of spoiling and over again, asking for opinions, compare text, consult dictionaries, reading a lot.
We are accustomed to immediate, easy-going, one needs to know the style of the classics and to keep abreast of new styles, believe it and convince yourself that you're a writer, the style is often the result of a long series of attempts by the writer, even avant-garde writers took many years to write something worth reading, it was just that kind of "innate talent" who always wanted to attribute them. In fact, writing is a learnable craft, rather than an art for which one is born.
A poorly written text is a misread text should be guarded spelling and syntax so that our message reaches the reader intact.
often best seller is disqualified for being a stiff and kind of recipe, but even these books have a literary style itself and it is those that eventually become our desires of writing ability.
A matter of vital importance and essential at the time of writing is to capture the reader's attention to features that the reader identifies or want to, this coupled with tooth and nail to defend their idea of \u200b\u200bthe argument.
doing novel things are more complicated than in a story, because the central story is surrounded by central stories. A concept map can be great help for understanding the development of our characters and situations, as the writer is obliged to tie up loose ends so that the reader does not raise questions.
The characters must act and react like human beings, ie it must be credible and plausible, yet must be trained for action. Must go somewhere, have a goal and interact properly with the right environment.
should create conflicts, problems and confusion to keep an interesting plot in the novel, the end is reached slowly through small climax.
reach is required the reader through the senses, not just to mention but a detailed description of the environment where the action unfolds, the characters interact with the environment.
The headings are a good resource, along with the correct use of mystery, the story can be nurtured to exaggeration, to push the boundaries a real situation or at least plausible, without ridicule.
The magazine Asimov science fiction gives us some steps to write a science fiction story that is worth playing before the end:
To begin, consider an idea, take that idea to life through conflict, not falling into philosophical dissertations or self-criticism, or moralizing monologues as the reader will lose interest as well use characters that can manage conflict and moderate the changes in mentality of the character must be established sequence of events chained to achieve a solid frame, remember to make a good environment, ie everything is within reasonable limits, and proceed according to the basic laws of physics (at least), finally will have a general idea of \u200b\u200bthe plot and develop at least a draft.
Some basic questions such as What is I want to tell the reader? Why have that and nothing else? Why should the reader care about this issue? Do you write for commitment or for pleasure? Do you feel pressure to write what is pleasing to the reader? There are speculations that hinder the creation of literature.
Finally, if the lack of ideas deals with the writer, you can make a variation of any existing topic, at the end of every issue is a variation of one already written.
a writer already said it once, no text is new, every issue worth mentioning, has already been written by Homer.
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